[lwkgw] Download Boss Jock JNL fonts from Jeff Levine Fonts

Designed by Jeff Levine, Boss Jock JNL is a novelty font family. This typeface has two styles and was published by Jeff Levine Fonts.

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The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful. This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks.

Boss Jock JNL is available in both regular and oblique versions.

Boss Jock JNL

[tryhc] Download Lights in Pairs fonts from Bogstav

Designed by Jakob Fischer, Lights in Pairs is a hand display font family. This typeface has two styles and was published by Bogstav . Download Now Server 1 Download Now Server 2 Download Now Server 3 It’s legible, it’s handmade and it has a lot of personality…with a twist of organic freshness it is guaranteed to make that next project of yours stand out! Lights in Pairs Lights in Pairs

[kceph] Download So Unusual JNL fonts from Jeff Levine Fonts

Designed by Jeff Levine, So Unusual JNL is a display sans font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 The hand lettered credits for the 1942 film comedy “I Married a Witch” were so unusual (with their mix of rounded and flat terminals and varying character shapes) that the only logical name for a digital revival would be So Unusual JNL … which is available in both regular and oblique versions. So Unusual JNL So Unusual JNL

[amamo] Download ZoidicFun fonts from Ingrimayne Type

Designed by Robert Schenk, ZoidicFun is a display sans font family. This typeface has ten styles and was published by Ingrimayne Type . Download Now Server 1 Download Now Server 2 Download Now Server 3 The letters of ZoidicFun are like sheep: they do not like being alone but want to be part of a flock. Many of the individual letters of ZoidicFun look strange and unshapely in isolation because they are designed to fit into a pattern with other letters. That pattern is formed by alternating asymmetric trapezoids, with trapezoids that are wide at the top alternating with trapezoids that are wide at the bottom. The magic of the OpenType feature of contextual alternatives (calt) automatically alternates them. The fonts in the family are largely monospaced and have very tight letter spacing. (If for some reason one wants to use only one set of the letters, the letters will overlap unless one widens character spacing.) (If D and O are too similar, use the alternative versions of D.) The f...

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