Skip to main content

Posts

Golden Decades fonts from Dharma Type - (bgusf)

Designed by Ryoichi Tsunekawa, Golden Decades is a sans serif font family. This typeface has sixteen styles and was published by Dharma Type . Download Now Server 1 Download Now Server 2 Download Now Server 3 Back to the basics. In the last ten years, type design has been confronting chaotic scene. The font market is flooded with a mixture of wheat and chaff and typography becomes increasingly complex. But one golden straight path exists. The path began from the industrial revolution, passing through Swiss style, now we walk along the path as a matter of course. It is sans-serif. The decades from the Swiss style, namely “less is more age” to the contemporary basic style “Less, but better age”, we call it golden decades. In those decades, type design met modernism. Go back to a theory in the golden decades, we redesigned new geometric, minimal sans-serif. Less is more and better. We added cool and calm spices to the modernism in the golden decades. As a result, letterform has a con

Lobby Poster JNL fonts from Jeff Levine Fonts - (tljpb)

Designed by Jeff Levine, Lobby Poster JNL is an art deco and display sans font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 The hand lettered cast credits for the 1932 George Arliss film “The Man Who Played God” inspired Lobby Poster JNL , which is available in both regular and oblique versions. A bold and playful Art Deco poster alphabet, its nonconformist character widths and shapes are casual enough for informal designs yet bold enough to get any point across. Lobby Poster JNL Lobby Poster JNL

Respektable fonts from Pizzadude.dk - (lracb)

Designed by Jakob Fischer, Respektable is a hand display and hand drawn font family. This typeface has two styles and was published by Pizzadude.dk . Download Now Server 1 Download Now Server 2 Download Now Server 3 Respektable is random and funky ant the same time, and even though all letters are super legible, the font has this unpredictable feeling to it. Each letter has 5 different versions that vary in width and stroke weight. Respektable Respektable

Short Films fonts from Dharma Type - (fwpkj)

Designed by Ryoichi Tsunekawa, Short Films is an art deco font family. This typeface has twelve styles and was published by Dharma Type . Download Now Server 1 Download Now Server 2 Download Now Server 3 Short Films is an all-new-styled family, which kind of looks like Art Deco Style. Wide opened counters and softly rounded bowls create a new feeling – Retro but futuristic, geometric but humanistic. Exquisite contrast between thin and bold parts of glyphs make mixed feeling – Pop and feminine, formal and casual, strong and soft. The most distinctive feature is a coexistence of decorativeness and Readability. This coexistence expands the range of font usage. You can use this font for not only titling but also body-text. Short Films consists of 6 weights and their matching Italics for a wide range of usages. Further, Short Films supports international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also, Shor

Best Choice fonts from Dharma Type - (qqnsm)

Designed by Ryoichi Tsunekawa, Best Choice is a sans serif font family. This typeface has six styles and was published by Dharma Type . Download Now Server 1 Download Now Server 2 Download Now Server 3 Best Choice is a family of next-generation monospaced fonts for developing, programming, coding, and table layout. Some desirable features in monospaced fonts are listed below. 1.Easy to distinguish 2.Easy to identify 3.Easy to read Best Choice has very distinguishing letterforms for confusable letters such as Zero&Oh, One&I, and Two&Z. A lot of ingenuity makes this family very distinguishable. Italics have a very large inclination angle to be distinguished from their Roman. For the same reason, Italics are slightly lighter than Romans. Italic is not cursive Italic. It is near the slanted Roman. This is an intentional design to identify Italic letters. Cursive is not suitable for programming font. Very clean and natural letterform is good for reading. Common cur

Chenile Deluxe fonts from Letterhend Studio - (kcxuv)

Designed by Hendry Juanda, Chenile Deluxe is a brush display, hand display and hand drawn font family. This typeface has two styles and was published by Letterhend Studio . Download Now Server 1 Download Now Server 2 Download Now Server 3 Introducing, Chenile Deluxe bold font duo. Chenile Deluxe is a handwritten pair of bold font that designed to complete each other. this font is perfect for branding, packaging, logotype, quotes, headline, etc. Features : - uppercase & lowercase - numbers and punctuation - multilingual - alternates and ligatures - swash - PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. Chenile Deluxe Chenile Deluxe

Golden Decades fonts from Dharma Type - (uzubs)

Designed by Ryoichi Tsunekawa, Golden Decades is a sans serif font family. This typeface has sixteen styles and was published by Dharma Type . Download Now Server 1 Download Now Server 2 Download Now Server 3 Back to the basics. In the last ten years, type design has been confronting chaotic scene. The font market is flooded with a mixture of wheat and chaff and typography becomes increasingly complex. But one golden straight path exists. The path began from the industrial revolution, passing through Swiss style, now we walk along the path as a matter of course. It is sans-serif. The decades from the Swiss style, namely “less is more age” to the contemporary basic style “Less, but better age”, we call it golden decades. In those decades, type design met modernism. Go back to a theory in the golden decades, we redesigned new geometric, minimal sans-serif. Less is more and better. We added cool and calm spices to the modernism in the golden decades. As a result, letterform has a con